the first release comes from lose ends. 4 beautiful minimal funky house cuts. worth to check!

russian born and very gifted musician aleceo is a new addition to the ongoing rooster of copenhagens prolific music for dreams label - aleceo came to attention of label boss kenneth bager with the brilliant first ep clouds. aleceo has his own musical voice, he produces and composes music that is rich in harmonies and melodies he sits somewhere between balearic and deep house combining the past and moving forward and this double vinyl teletrip is an excellent taster of his many talents and a real body of work.

remastered audio and expanded tracklist on 180 gram audiophile vinyl. gatefold sleeve, printed innersleeves and 4 page booklet.

first vinyl edition of the 1999 eurythmics album - remastered from the original tapes, pressed on 180 gram vinyl.

moritz simon geist lets the robots play on his first full-length. the vinyl lp comes in a gatefold sleeve.

solaronemusic introduces their new -techno city series-. focused on citys around the world, which have given their contribution to the electronic music scene, the series will start with the leading motor city detroit. the first release will be from the mysterious detroit underground collective scan 7. after releases for underground resistance, tresor, derrick may s transmat and their own label cratesavers the collective now debuts on solaronemusic. the release comes with 3 funky dance floor classics and one hypnotic killer remix by the exaltics.

eric lau returns to first word for “examples volume two”. the vinyl release includes a download code.

the first songs from the young aretha franklin, recorded in 1960 and early 1961.

double black vinyl with printed inner-sleeves in inyl sleeve with 5mm spine. cd included. following the reissues of their 4 albums on vinyl earlier this year, french band and pioneers of the fusion of world and alternative music les négresses vertes continues to celebrate the 30th anniversary of their first album mlah with a new re-issue of their album 10 remixes. repressed by because music, 10 remixes features remixes of their classics (sous le soleil de bodega, voila lete, zobi la mouche, etc.) by massive attack, gangstarr, clive martin, kwanzaa posse, etc.

enei returns to the controls for the first time since his and kasra’s “transmitter” ep earlier this year, laying down five future grooves from the lush vocals of long time collaborate charli brix on “faded” to the raw deal of “rats place”. enei on form once again providing the drum & bass autumnal chills.

continuing the samurai music 10 year anniversary celebrations, decade (phase 2) is a further collection of tracks that map out our distinctive approach to 170 / drum and bass in 2018. commencing with a searing slow burn from ancestral voices, phase 2 features a rare 170 track from asc, a dubbed out contribution from calibre, refreshing beat pattern sorcery from sam kdc and lemna and a crucial collection of half step floor freshness from label staples - homemade weapons, the untouchables, torn, last life, and artilect. shiken hanzo and antagonist make their first samurai music appearances in memorable fashion, while es.tereo makes a return on the cusp of launching his own label. presenting advanced angles on a familiar framework, decade (phase 2) is an entree to the next decade of samurai music.

continuing the samurai music 10 year anniversary celebrations, decade (phase 2) is a further collection of tracks that map out our distinctive approach to 170 / drum and bass in 2018. commencing with a searing slow burn from ancestral voices, phase 2 features a rare 170 track from asc, a dubbed out contribution from calibre, refreshing beat pattern sorcery from sam kdc and lemna and a crucial collection of half step floor freshness from label staples - homemade weapons, the untouchables, torn, last life, and artilect. shiken hanzo and antagonist make their first samurai music appearances in memorable fashion, while es.tereo makes a return on the cusp of launching his own label. presenting advanced angles on a familiar framework, decade (phase 2) is an entree to the next decade of samurai music.

mechanical soundscapes by pierre bastien and anna homler

alex metric & ten vens transmission 1 is their first release on diynamic, although their productions are not unheard of in the labels orbit as solomun has been supporting them heavily in his sets throughout recent months. opening track the q, much like the closing track plates, are reminiscent of old uk garage raves with a hint of acid. minuscule shifts in the pitch give that certain cassette-nostalgia, transporting the listener back to the early 90s. the centre piece titled nebula is a driving melodic deep house tune with a hefty break that brings things to a halt right at its centre, only to return with the catchy riff that is its main feature.

last year japanese public broadcaster nhk aired the animated superhero series “the reflection”. the legendary english musician/producer trevor horn served as music producer for the anime. the story of “the reflection” is set in a world where a mysterious atmospheric phenomenon known as “the reflection” killed many people all around the world while causing the survivors to spontaneously develop superhuman abilities. some people become heroes, others become villains...
while achieving great success as a member of the buggles, yes, and art of noise, trevor horn also worked as producer for many popular musicians, such as paul mccartney, frankie goes to hollywood, tom jones, cher, grace jones, seal, tina turner, lisa stansfield, pet shop boys, simple minds, and mike oldfield.
the reflection release includes a 4 page booklet and is available for the first time on vinyl. the limited edition of 1.000 individually numbered copies is pressed on pink coloured 180 gram vinyl.

yama music return with their second instalment on their own self-titled label, with yet more trippy minimal house music. as with the first record, yama music 002 brings 3 original cuts which are stripped back groove aimed at the dancefloor. the uk based label kick things off with “outstore”, eerie pads sit on top of tight stripped back drums which have a glitchy atmospheric synth adding to the cosmic feel of this record. the b side are two tracks that follow a similar pattern but retain their individuality. the first of these is “who what space”, this track is propelled along with a bone shaking yet infectious bassline, crisp percussion and an otherworldly synth. “who what toms” wraps up the ep with delicate shuffling percussion, a tight kick drum and a sexy bassline ready to make the dancefloor hum. a well placed vocal and a synth that sounds like it’s taken from the starship enterprise rounds off a great return for yama music.

if there s one thing wolf music know a thing or two about, it s house music. so its no surprise then that they ve decided to reissue a golden 2003 deep house nugget in the form of brs (british rhythm services) spring dom. reissued from the original dat tapes spring dom is one of those timeless records that even 15 years on sounds as soulful as it did when it first hit the racks. echoed sweeping stabs, chunky drum loops and powerful synth flurries alongside those mesmerising vocal refrains, all tied together with a driving bassline - this is deep, deep goodness of the highest degree. reworking spring dom for the present day, wolf mainstay medlar provides a rave tinged remix, chopping the vocals and reworking the synth lines to give it a peak time, dancefloor demeanour. the flip houses the other two tracks from the original 03 release - clubtronic with it s ukg flavoured beat, m1 pads and jazzy free flowing melodies and miss you combining a bumping groove, dynamic bass melody and stirring rhodes chords. a much-welcomed reissue package from the wolf camp and a chance to own this house treasure without feeding the sharks.

despite the short period as producer of kolpos, the first steps of this argentinan producer have became large strides and his experience to develop big magnitude projects consolidates with great celerity, argument more than justified for platforms as concerns music which bet for artist with a very defined personality. fractal recreates the international connection that techno is living in these moments between europe and latin american countries with a more globalized style , it represents the synergestic link between two cultures and a relative approach of hemispheres.

the spanish techno imprint celebrates the release of their first long lenght with this compilation featuring tracks by some of the most prominent underground techno artists among some new talents including works from: christian wünsch, datura dilema, developer, dinamite, kalter ende, stanislav tolkachev, unkle fon and vertical spectrum. the sound palette focuses on danceable numbers, but also include some broken beats and industrial touches showcasing the diversity of their catalogue.

first touch, the kings of modern funk, return to star creature for their 3rd release on the chicago-based boogie label. their first single since their debut double lp features vocals from yvonne gage. this combo is dance floor heat with both sides giving us uptempo diva soul boogie

fast-moving times, in which popularity and quality are often equated or commonly confused with one another, aids and abets this imitation game some call conformity, others professionalism. in the end, both paths will end up in predictability. heres where stathis kalatzis, aka mr. statik, comes to play. the resident at athens’ multi-purpose cultural space six d.o.g.s has not only been one of the scenes pivotal figures, but since he started to release his first solo releases in the mid-00s, the now berlin-based greek dj has earned a reputation for being a trend-ignoring, unconventional producer. whether his output for bpitch control, rotary cocktail, or even last years debut ep rogue cherub for away mr. statik enjoys thinking outside the box by crossing his diverse pop-cultural interests and pulling in expertise and perspective from beyond the usual functional formulas. after a decade of not staying in one comfort zone or sticking to one musical direction, he finds himself more comfortable in his producer shoes presenting his debut album metamorphose. housing a few film references in this for mr. statik typical nebulous fashion, the ten tracks not only carrying the narrative potential of an imaginary score, but primarily exploring a versatile array of influences, themes, and contradictions (which mr. statik as an illustrator also united on the albums artwork). ranging from the sci-fi infused album opener insomnia, the first non-dancefloor piece he ever produced around 7 years ago, over?

limited ddition of 750 individually numbered copies on orange 180 gram vinyl.
following the success of the first treasure dub album, a second volume was hastily assembled. repeating the formula of the previous collection, the set featured 12 hard and heavy dub tracks that utilised some of duke reid’s most celebrated rock steady and reggae rhythms. as with volume 1, the musicianship from tommy mccook & the supersonics and mixing skills of ace treasure isle studio sound engineer, errol brown combined to create one of the finest dub lps of the mid-1970s.

remastered re-issue on transparent red vinyl, limited to 500 hand-numbered copies.

check b1 , played by marcel dettmann, amelie lens... the first of three samplers, comprised of selected tracks taken from spencer parker s new album, dance music out via his own label work them records. “there was no real concept behind the album, all i knew is that i wanted to do something honest. the tracks i make are the tracks i play in my sets and tracks i want people to dance to - that s where the title comes from.- - spencer parker. part one of the sampler opens with it was just a dream , a ghostly cauldron of glitches, bleeps and sound bites that locks you into a dazed state of hypnosis. next up, the oh hits with a taste of classic house, marrying emotive stabs, a tough kick and fizzing ride cymbals. on the b side, you re under my control now takes the sound industrial combining a kraftwerk-esque metronomic breath with rapid fire toms and a dynamic kick. absolutely raving closes out the first of parker s dance music samplers offering a rave leaning techno weapon that wouldn t be out of place in the hallowed grounds of berghain.

aar is a project by milan-based producer, dj and designer giorgio di salvo. the first grade lp is his first record under this name, self-released in collaboration with haunter records, the first chapter in a new series dedicated to tonal and rhythmic experimentation. advanced audio research is the ironic definition of this new music course of his, a nod to the large amount of esoteric studio gear accumulated and (ab)used during the years. the project itself is the result of years of study and experimentation with generative music matrices, based on the application of a three dimensional array of variables and unknowns to algorithmic pattern creation. the result is punishing, close to the most radical exploits in ear-wrenching breakcore, footwork and jungle, albeit with a sonic and structural finesse that reveals the producer’s manic dedication. track a-4 is produced in collaboration with somec and b-01 in collaboration with heith, channeling abstract and melancholic vibes into the project. vinyl comes in ultra ltd. edition of 100 copies, each one wrapped in a different hand-printed folder.

a landmark release for both the label and its founder as kasra releases his debut solo ep. the ski mask ep features 4 tracks of rolling low end and marks the start of a new phase for him to make his mark as an artist as well as dj.
kasra says, “after 16 years of running the label i thought it was time i released a body of work of my own. it’s quite daunting after all the incredible music the artists have given me to be doing this for the first time. i hope you enjoy it for what it is: raw, honest drum and bass.”
pressing on transparent red vinyl with download code included.

limited ddition of 750 individually numbered copies on orange 180 gram vinyl.
hot shots of reggae is an recording on which a bunch of popular reggae songs are brought together. the album was originally released in the autumn of 1970 and compiled by the legendary chinese-jamaican producer leslie kong. he had enjoyed many hits in in europe and selected some of the true pearls from the reggae music to shine on the album. the album includes the maytals hit monkey man, the sparkling so much love by joe white and the fine rythms of ken boothe’s freedom street. the influential producer leslie kong once discovered jimmy cliff and recorded him on his own record label beverley’s. in 1962 he recorded bob marley’s first single and through the 60’s het became known as the producer of many big artists, like desmond dekker and joe higgs. he died of a heart attack, at the age of 38, in august 1971.

limited edition of 750 individually numbered copies on orange 180 gram vinyl.
the jamaican sonia pottinger was once called “the most important jamaican woman involved in music business”. dancing down orange street is a collection of some of her famous productions for different artists. the album captures the moment when rocksteady transformed into reggae by speeding up a little and moving towards a more jerky and less smooth musical palette. famous singers as delano stewart and ken boothe are present on the album with multiple tracks. the vocal trio the melodians (known for their hit “rivers of babylon”) provide a couple of beautifull songs. even after all those years (released for the first time in 1969) the compilation remains a treasure of showcasing some of the finest songs produced by sonia. sonia pottinger was married to music producer lyndon pottinger and started to record musicians in 1996. during the late 60’s she produced songs for joe white, the melodians and toots & the maytals.

continuing the samurai music 10 year anniversary celebrations, decade (phase 2) is a further collection of tracks that map out our distinctive approach to 170 / drum and bass in 2018. commencing with a searing slow burn from ancestral voices, phase 2 features a rare 170 track from asc, a dubbed out contribution from calibre, refreshing beat pattern sorcery from sam kdc and lemna and a crucial collection of half step floor freshness from label staples - homemade weapons, the untouchables, torn, last life, and artilect. shiken hanzo and antagonist make their first samurai music appearances in memorable fashion, while es.tereo makes a return on the cusp of launching his own label. presenting advanced angles on a familiar framework, decade (phase 2) is an entree to the next decade of samurai music.

continuing the samurai music 10 year anniversary celebrations, decade (phase 2) is a further collection of tracks that map out our distinctive approach to 170 / drum and bass in 2018. commencing with a searing slow burn from ancestral voices, phase 2 features a rare 170 track from asc, a dubbed out contribution from calibre, refreshing beat pattern sorcery from sam kdc and lemna and a crucial collection of half step floor freshness from label staples - homemade weapons, the untouchables, torn, last life, and artilect. shiken hanzo and antagonist make their first samurai music appearances in memorable fashion, while es.tereo makes a return on the cusp of launching his own label. presenting advanced angles on a familiar framework, decade (phase 2) is an entree to the next decade of samurai music.

continuing the samurai music 10 year anniversary celebrations, decade (phase 2) is a further collection of tracks that map out our distinctive approach to 170 / drum and bass in 2018. commencing with a searing slow burn from ancestral voices, phase 2 features a rare 170 track from asc, a dubbed out contribution from calibre, refreshing beat pattern sorcery from sam kdc and lemna and a crucial collection of half step floor freshness from label staples - homemade weapons, the untouchables, torn, last life, and artilect. shiken hanzo and antagonist make their first samurai music appearances in memorable fashion, while es.tereo makes a return on the cusp of launching his own label. presenting advanced angles on a familiar framework, decade (phase 2) is an entree to the next decade of samurai music.

continuing the samurai music 10 year anniversary celebrations, decade (phase 2) is a further collection of tracks that map out our distinctive approach to 170 / drum and bass in 2018. commencing with a searing slow burn from ancestral voices, phase 2 features a rare 170 track from asc, a dubbed out contribution from calibre, refreshing beat pattern sorcery from sam kdc and lemna and a crucial collection of half step floor freshness from label staples - homemade weapons, the untouchables, torn, last life, and artilect. shiken hanzo and antagonist make their first samurai music appearances in memorable fashion, while es.tereo makes a return on the cusp of launching his own label. presenting advanced angles on a familiar framework, decade (phase 2) is an entree to the next decade of samurai music.

continuing the samurai music 10 year anniversary celebrations, decade (phase 2) is a further collection of tracks that map out our distinctive approach to 170 / drum and bass in 2018. commencing with a searing slow burn from ancestral voices, phase 2 features a rare 170 track from asc, a dubbed out contribution from calibre, refreshing beat pattern sorcery from sam kdc and lemna and a crucial collection of half step floor freshness from label staples - homemade weapons, the untouchables, torn, last life, and artilect. shiken hanzo and antagonist make their first samurai music appearances in memorable fashion, while es.tereo makes a return on the cusp of launching his own label. presenting advanced angles on a familiar framework, decade (phase 2) is an entree to the next decade of samurai music.

gavin hardkiss’ first record under the hawke moniker, released in 1993 and recently found in a nuclear bunker near san francisco are now available in limited quantity of the original pressing. featuring the original version plus remixes by scott hardkiss and robbie hardkiss. includes the b-side pacific coastal highway #1.

the fantastic new single from okinawa delays feat. the delightful vocals of satoko ishimine is a cover version of the neil young/ nicolette larson classic. limited first edition twelve inch on light blue transparent vinyl & comes with fine selection of remixes from phil mison, psychmagik & willie graf & darren eboli. okinawa delays consists of the talented producer takeo toyama aka dj mizuki and the singer satoko ishimine. takeo met satoko almost five years ago when he hosted a party on irabu island that is a one of the distant islands of okinawa. we basically thought to make something like aor tracks like dusty springfield or fleetwood mac instead of city pop, also satoko likes that song, so we decided to go for it and im very pleased with the result.

soulful, west coast hip-hop. a sound unique unto itself. a sound that recalls a classic era nostalgia. a sound steeped in the deep roots of gospel, funk and soul. low blow builds on that tradition with his debut album first book of timothy. the inglewood native embraces the sun-drenched, southern california sound and pushes it forward with intoxicating ows and a soulful musicality that the los angeles music scene is so well known for. consisting of 10 tracks, first book of timothy nds low blow reecting on his life, recounting stories of hardship and loss, relationships and social issues over soulful beats with his unique brand of melodic rhymes and cadences. the album includes production from luke ellington and trevin hickman, with additional production from allakoi mic holden peete. the lp also features musicians miguel atwood-ferguson, uncle chucc (1500 or nothin), jose rios (free nationals), ernest tibbs, jamire williams, jonah levine, jimetta rose, and more.

continuing the samurai music 10 year anniversary celebrations, decade (phase 2) is a further collection of tracks that map out our distinctive approach to 170 / drum and bass in 2018. commencing with a searing slow burn from ancestral voices, phase 2 features a rare 170 track from asc, a dubbed out contribution from calibre, refreshing beat pattern sorcery from sam kdc and lemna and a crucial collection of half step floor freshness from label staples - homemade weapons, the untouchables, torn, last life, and artilect. shiken hanzo and antagonist make their first samurai music appearances in memorable fashion, while es.tereo makes a return on the cusp of launching his own label. presenting advanced angles on a familiar framework, decade (phase 2) is an entree to the next decade of samurai music.

were back with the second jack cassettes series! following the success of the first jack series, weve decided to pull heavyweights out of the treasure trove of chicago reel to reels acquired by still music last year. this second series is another incredible glance into our beloved house music through some lost radio mixes salvaged from reel to reels by jerome derradji. we start with a superb one hour mix from frankie knuckles circa 1986 and dive straight to the hot mix 5 with edward get down crosby and his insane mixes, full of edits and original beat traxx. a small detour to miami is made with a killer electro mix by wgci guest joe magic. pull out the tape deck, move the furniture away and jack!

were back with the second jack cassettes series! following the success of the first jack series, weve decided to pull heavyweights out of the treasure trove of chicago reel to reels acquired by still music last year. this second series is another incredible glance into our beloved house music through some lost radio mixes salvaged from reel to reels by jerome derradji. we start with a superb one hour mix from frankie knuckles circa 1986 and dive straight to the hot mix 5 with edward get down crosby and his insane mixes, full of edits and original beat traxx. a small detour to miami is made with a killer electro mix by wgci guest joe magic. pull out the tape deck, move the furniture away and jack!

were back with the second jack cassettes series! following the success of the first jack series, w’ve decided to pull heavyweights out of the treasure trove of chicago reel to reels acquired by still music last year. this second series is another incredible glance into our beloved house music through some lost radio mixes salvaged from reel to reels by jerome derradji. we start with a superb one hour mix from frankie knuckles circa 1986 and dive straight to the hot mix 5 with edward get down crosby and his insane mixes, full of edits and original beat traxx. a small detour to miami is made with a killer electro mix by wgci guest joe magic. pull out the tape deck, move the furniture away and jack!

in 2011, when singer/rapper/songwriter phonte of the foreign exchange (+fe) fame released the critically-acclaimed, top 10 rap/hip hop album, charity starts at home,it was an impactful reminder that phonte was more than just the occasionally comical, often reflective crooner of +fe, much more. as a rapper, phonte had been the lynchpin of north carolina’s globally respected four album, six mixtapes run of the now defunct little brother trio, whose “lovin’ it” single from the 9th wonder produced the minstrel show is a bonafide cult classic.

beautiful 1 lp edition with 140g vinyl, stoughton tip-on sleeve, liner notes (english & japanese) by chee shimizu, sticker official reissue of diggers favorite colored music available on vinyl and cd or the first time since 1981.

special remarks+gadget mini jelly slapping hand for the first 250 units: special remarks this time the little treat youll find with the vinyl (limited to the first 250 copies) is an apparel wax trademarked mini jelly slapping hand, to always remember not to take ourselves too seriously!

walter gibbons, a true master of the mix, a disco legend, a pioneer of dance music. theres literally very few who can lay claim to progressing the artform of studio mixing and technique than the late gibbons. his contribution to contemporary music cannot be understated, first as a dj where his drum laced experimentation captured the ears and minds of his peers and the dancers, then later as a mixer and studio genius where he continued on his quest. often fixated on the percussion and breaks within records his versions would often dive into spaced out, dubby and stripped back territory that very few of his peers were even contemplating at that time, fervently reconstructing the tracks themselves and often the time, space and dancefloor within which the record was being played. a true original, gibbons was behind many of the definitive versions of the classics, his unique style often catapulting records that were just fine in their original form into brand new colourful, cosmic interpretations that flourished sonically and rhythmically with brand new sounds that bristled with vision.

silicone soul welcome the return of old friend justin robertson as he brings his much loved deadstock 33s project back to darkroom dubs. last spotted on the label only a matter of weeks ago with infinite interchange on the darkroom dubs presents summer love collection, here he builds on the momentum with two more singular missions deep into the timeless analogue abyss. whats more, they come covered with a print of one of justins very own hand-drawn pieces. dr. spectro on the frontier marks the start of this new deadstock trip. celebrating the lesser spotted dc super villain who could control people’s emotions with a brazen line or two of sinewy acid what starts off dark and gnarly gradually unfolds into a much more emotional narrative. watch out for the harmonic riff that rekindles feels of raving fields and a salvo of chords towards the climax that genuinely will control your emotions. the music is madness (to those who cannot hear it), meanwhile, is more than just a poetic title. already a summer anthem at a love from outer space, it s a roomy, cosmic affair that’s laced with layers of trippy textures and chugs at a cool 120. its one of justin’s classic signature smouldering sessions, what ostensibly seems forlorn and introspective is actually coded with deep hope and positivity. youd be mad not to hear it. youd be mad not to stay tuned too. for the first time in darkroom dubs history, this release and all this years vinyl dispatches will be released digitally as part of an end of year compilation, tales from underground vol. 1 and will also feature an exclusive silicone soul remix of rigopolar & cannibal inks thousand years before. and to round the year off? the long-awaited new single from silicone soul themselves.

30th anniversary edition of 1.500 individually numbered copies on blue 180 gram vinyl.
bomb the bass is the alias from the english electronic music producer tim simenon. he released his debut album into the dragon in 1988. it s an intriguing trip through electro, acid-house and hip-hop music. on the album you ll find his breakthrough hit -beat dis-, which became popular in the underground and club circuit. it feels like you re listening to a radio broadcast show, including intro skits in a melting pot of styles. a true classic in the history of using samples in music. bomb the bass were one of the first acts to bring sample-based music and scratching to a mainstream audience.

ow finally on vinyl: artbat are bringing their first full ep release to diynamic music. the three-tracker -planeta- starts off with the title track -planeta-, a rapid-fire techno odyssey that might as well be taken from a relentless pursuit in a futuristic action movie. this is followed by the gloomy bassline of -prometheus-. heavy on percussive elements, the track is divided in half by a cascading synth-break only to return with more layers of percussions, strings and the hypnotic bassline. closing off the ep is -sand in your shoes- featuring london based artist dino lenny, who has previously worked with madonna or wu-tang clan and produced remixes for underworld, missy elliot or timbaland. the collab track is a dreamy deep-house tune and a perfectly emotive way to finish the record.

ltd edition 12 inch vinyl in innentaschen in procédé heliophore-kastentasche mit silberfarbener alufolienprägung (4 tracks), inkl. download-code (5 tracks) ... die -collapse ep- ist aphex twins erste neue arbeit seit der -cheetah ep- aus 2016. das klangbild aus hyper-editierter electronica, durchsetzt mit seinem typischen acid-sound, spuren von footwork und schwerem bassbrummen zeigt den zwilling von seiner modernsten seite seit seinem meisterwerk -syro- (oder vielleicht auch seit -druqs-). parallel mit der offiziellen ankündigung erschien auch ein atemberaubender videoclip seines langjährigen kollaborateurs weirdcore zum opener -t69 collapse-

the third and final instalment in frits two bar house music & chord stuff sees him continue to showcase his distinct style of lo-fi, wonky house - both quirky & unconventional, yet instantly endearing in the same breath. served up first in frits melting pot, theme 09 kicks things off with a shuffling, ukg esque rhythm and rnb flexed vocal snippets, alongside floaty arps and that chord stuff that swells and stabs in the mix. throw in a weighty bass and frits trademark analogue wonkiness and you ve got a prime example of a wentink wobbler. next up, theme 10 hits you with an organ melody reminiscent of a warped crystal waters, before twisting and turning into an edgy off-kilter house track. a glitchy synth line, bouncing bass and dreamy pads will hook you till the end. flip it and theme 11 offers up a chuggier affair where glistening arps are interspersed with squelchy and sustained synths. elements and effects are combined throughout, mesmerising you with a glimpse into the wonky world of the frits. closing it out wentink leaves you with a quirky club stomper, coupling a gritty bassline, saturated loops and off kilter, lo-fi stabs all tied together with a driving kick. across this 3-part series frits has left the fancy titles at the door, letting the music do the talking and demonstrating his penchant for making interesting, engaging and distinctive house music, not your average two bar house music and chord stuff.